Tag: bad guys

  • MANUAL FOR SPOTTING A KNIFE

    By Jamie, not Cormac, McCarthy

    Manual for Spotting the Knife

    There’s enough rot in a regular person
    to fuel a thousand comment sections
    and still have leftovers for Sunday.

    You don’t need monsters.
    You just need people
    with slogans
    and something to protect.

    The loudest about mercy
    keep their hands clean
    by pointing.

    The loudest about love
    need an audience
    or it spoils.

    The loudest about peace
    sleep with one eye open
    and a thumb on the trigger
    they swear they don’t own.

    God-talkers rent God.
    They don’t live with Him.
    Peace-talkers rehearse it
    like a line they keep forgetting.
    Love-talkers mean approval
    and charge interest.

    Watch the ones with microphones.
    Watch the ones with certainty.
    Watch the ones who underline books
    but never bleed on the page.

    Watch the ones who romanticize hunger
    or mock it—
    both are tourists.

    Watch the fast clappers.
    They clap to hear themselves.

    Watch the ones who police language—
    they’re terrified
    something feral might get loose
    and name them.

    Watch the ones who need crowds.
    Alone, they evaporate.

    The average man isn’t harmless.
    The average woman isn’t gentle.
    Their love wants a receipt.
    Their love wants witnesses.
    Their love wants to be normal
    so it doesn’t have to be brave.

    And here’s the part nobody says out loud:

    There’s brilliance in their resentment.
    A precision.
    A teamwork.
    A choreography.

    They can’t stand silence
    because silence asks questions.
    They can’t stand solitude
    because it doesn’t applaud.

    They can’t make anything
    that didn’t already exist,
    so when they fail
    they blame the room,
    the time,
    the culture,
    the weather,
    you.

    They don’t understand art
    because art doesn’t ask permission.
    They don’t understand love
    because love doesn’t negotiate.

    So they’ll tell you
    you’re doing it wrong.
    That your grief is excessive.
    That your joy is suspicious.
    That your freedom is offensive.

    Then they’ll come for you
    not messy,
    not emotional—
    but clean.

    Their hatred is efficient.
    It shines.
    It passes inspections.
    It wears credentials.

    It doesn’t rage.zwzwq
    It executes.

    And that—
    that is the only masterpiece
    most of them will ever finish.

  • HELL IN THE CRACKS

    Life splits in two the second you lose a child. There’s before and there’s after. Before was seven hours and nineteen minutes in a dark theater, the entire Nolan, Batman trilogy in a single sitting and you grinning at me through a mouthful of Sour Patch Kids, teeth glowing like a jack-o’-lantern in the dim light. It was frozen Coke dripping down your wrist because you held the cup too tight during the fight scenes. It was Whittaker and Romero 2, the roar of Chicago, the way you practically floated when Dana White grabbed you for a picture—your grin telling me, This is it. You’re doing it right. It was those goddamn short films, half-baked ideas and duct-taped props, where we didn’t care if they were good because it was us making them. Father and son, building something real out of nothing.

    And then came after. That call. That fucking call. In some dead Indiana parking lot that stank of piss and stale cigarettes, the sky too blank, too indifferent. The words didn’t make sense, not at first. I just stood there, the phone slipping from my hand, staring at the cracks in the pavement as if my soul was spilling through every jagged line. And then, smashing my forehead over and over on that torn concrete until the blood seeped into the cracks, following my soul into the void. That was the moment I learned what real hell is. It’s not fire or pitchforks or devils; it’s standing in the middle of nowhere knowing the only thing that mattered is gone. It’s remembering the grin you gave me in that theater and knowing I’ll never see it again. It’s the torture of memory—every golden moment tipped with barbs now, gutting me every time I dare to look back.

    And then there’s him. The dealer. The worthless, bottom-feeding coward who handed you that poisoned pill—a devil in a hoodie, trading death for pocket change. I see his face in my dreams, over and over again. I imagine all the ways I could make him bleed, suffer, break. My hands on his throat, squeezing until one of his eyes pops out and he’s gasping for air while I laugh and squeeze harder, just enough for him to feel what he’s taken from me. I want him to feel it—the endless, searing agony of a father who’s lost his son. I imagine cutting his fingers off with his own wire cutters so he can never hand over another fentanyl-laced counterfeit pill, leaving him as useless as the soul he sold long ago.

     

    But then comes the letdown. Sanity slipping back in, a bitter taste of restraint that almost feels like defeat. Because vengeance is useless. It won’t bring you back. It won’t undo the call, or the parking lot, or the crack in my soul that will never close. And yet, the thought of him walking free, dealing death to someone else’s kid, keeps me up at night. That rage is the only fire I’ve got left, the only thing keeping the void from swallowing me whole.

     

    So I rage. I dream of blood. And I write it all down because it’s the only way to survive another day in purgatory. This is the after. It’s torture. It’s rage. It’s love twisted into something unrecognizable. It’s the weight of what could’ve been, dragging me toward the grave. And still, I wake up every day wishing, screaming, dreaming for a world where you were still here.

     

    Read by James McCarthy

  • Lights, Lawsuits, and Lunacy

    Lights, Lawsuits, and Lunacy

    There he is, another fat cat in a fine suit,

    a man with too much money

    and not enough sense.

    They always start the same way:

    hungry, scrappy, with a spark in their eyes,

    climbing over corpses just to taste

    the champagne fizz of fame.

    But the climb turns sour—

    it always does.

    The money grows heavier,

    the women get younger,

    and the lies stack taller

    than their penthouses.

    And now he’s cornered.

    Accusations like alley rats

    gnawing at his gold-plated ego,

    lawsuits snapping like

    cheap whiskey shots at last call.

    He denies, of course—

    they always deny.

    Truth is just another currency

    they barter for silence.

    The tabloids call it shocking.

    The fans call it betrayal.

    I call it Tuesday.

    Another kingpin,

    another scandal,

    another reminder

    that the glint of the spotlight

    hides more shadows than light.

    But don’t worry,

    he’ll be back.

    They all come back.

    The world loves a man who sins,

    as long as he sins with style.

    And us?

    We’ll keep buying the albums,

    dancing to the beats,

    clapping for the encore

    while the bodies pile up backstage.

    Because we’re all drunk on something—

    power, fame, or just cheap beer.

    And none of us want to wake up

    to the hangover of reality.

    There’s a mirror there and we certainly don’t like the way it lights our own lunacy.

  • Anything goes in Wayne County

    Anything goes in Wayne County

    ◦ Wayne County Circuit Court, Detroit, Michigan.

    If a criminal wants to commit a crime and get away with it, Wayne County Circuit Court in Detroit is the place to be. Take Aron Miranda, a 24-year-old who sold counterfeit pills laced with fentanyl, resulting in the death of a Birmingham boy. Miranda was also caught with 11 illegal firearms, cocaine, fentanyl, and a mass of pills he sold mainly through Snapchat.

    Miranda’s arrest was made by Birmingham police since the victim was from Oakland County—Detroit police were not involved. Birmingham handed Miranda over with all the evidence needed for a conviction. Yet, in a predictable turn, Wayne County dropped the ball. Despite the overwhelming evidence and serious charges, Miranda received a minor personal bond and no tether. The expectation that he would voluntarily return for his court date was naive, given his criminal background.

    Now, Miranda is a fugitive. Some believe he fled the country; others think he’s still in Detroit, continuing his criminal activities. There’s little confidence in Wayne County’s efforts to apprehend him. If you’re a criminal looking for a safe haven, Detroit seems ideal. You can sell drugs, kill people, and even if caught, walk away scot-free.

    In a city where law enforcement appears ineffective, what’s stopping criminals from flocking here? In Detroit, it seems, the line between criminal and free citizen is blurred by a justice system that fails to enforce the law.

    You don’t have to have much of an imagination to envision how vigilante’s are born……