Tag: creativity

  • The Universal Menu

    The Universal Menu

    Pie-eyed with delight, she orders
    the most decadent cut on the universal menu:

    a thick slice of liberty, velvet red,
    garnished with a plastic bouquet
    of Stars and Stripes.

    Wafts of early promise and easy credit.
    Chocolate-dollar mansions.
    Plush-padded hips christened as progress.

    The celebration sparkles tonight
    like the wake of her first steps—

    or the backwash of an aircraft carrier,
    the flagship listing heavily in the brine.

    Fat and sinking, the girl cannot float.

    She can hardly drag her bronze ankles
    across the tile after the coma sets in,
    drowned in the tallow
    of her own sweet myth.

    Not to worry.

    In another decade
    the main course will be Enlightenment 101
    at university rates,

    provided she hasn’t choked to death
    on the candied gospel
    she taught the rest of the flock to swallow.

    That is the house specialty.
    The parlor trick.

    She is the patron gorge-feeding at the booth.
    She is the prize cattle.
    She is the girl working the drive-thru window,

    smiling through the rot.

    The birthday candles glow
    against the frosted glaze.

    Back in the grease-trap
    the fryers keep themselves hot.

    The deep fury department
    pulls spun-sugar strings
    taut enough to make every shackle dance.

    Nobody has to tell us anymore.

    We already know our order.

  • Eternal Third Shift

    Eternal Third Shift

    ETERNAL THIRD SHIFT

    ETERNAL THIRD SHIFT

    the preacher on the corner had bad teeth
    and smelled of old cabbage and Easter eggs.

    he told us about streets of jasper
    and some big boss who loved us
    long as we kept our heads down
    and didn’t steal the copper wire.

    bullshit, I told him.

    if there’s a heaven
    for guys with grease under their nails,
    it’s just the eternal third shift—

    a damp basement under the stars
    where the fluorescent tubes buzz,
    dying flies on fire
    in light that never quite turns white.

    you punch a tarnished brass clock
    at 11:03 p.m.
    for all of eternity.

    no time-and-a-half.

    no foreman either,

    just the ghost of an old bastard named Henderson
    leaning against a broken vending machine,
    smoking generic menthols
    and telling you the union rep drowned
    in a vat of starch
    back in ’64.

    the harp music is just a radio
    stuck between two Spanish stations
    and static.

    you wipe down the lathe
    with an oily rag.

    your knees ache
    with the same dull thud
    you bought on earth
    for six bucks an hour,

    and the coffee in the pot
    has been boiling
    since the fall of Rome.

    nobody gets fired.

    nobody gets to go home.

    the angel at the gate
    wears a stained apron
    and hands you a clipboard
    with a grievance form
    that’s missing the bottom half.

    “sit down,” he says,
    spitting into an empty Schlitz can.

    “shift just started.”

  • THE HIGH-VALUE PERSON

    THE HIGH-VALUE PERSON

    And Other Luxury Goods

    By McCarthy (Jamie not Cormac)

    At last, humanity has solved love.

    At last, humanity has solved love.

    It was never mysterious. It was never chemical, spiritual, accidental, inconvenient, or capable of surviving a bad haircut.

    It was simply a marketplace waiting for sufficiently damaged people to develop the correct terminology.

    Today, every man and woman can determine their romantic worth using a few universally accepted measurements. For men: height, income, abdominal visibility, automobile, professional status, and the ability to remain emotionally motionless while someone explains why her beauty is a full-time contribution to the household.

    For women: youth, symmetry, waist-to-hip ratio, sexual desirability, social reach, and the ability to stare confidently into a camera while saying, “I know my worth.”

    Once these figures have been entered, the human being may be assigned a value.

    Not a price, obviously.

    A value.

    Prices would make the whole thing sound vulgar.

    I recently watched a podcast devoted to this new science of human appraisal. Two men, both considered “high value,” sat on a panel while several women described the qualifications necessary for a man to be permitted into their lives.

    He should be at least six feet tall.

    He should make a considerable amount of money.

    He should pay for everything.

    He should provide security, travel, housing, leadership, protection, emotional stability, stimulating conversation, unwavering confidence, romantic spontaneity, and sufficient free time to make her feel prioritized despite the career necessary to finance the operation.

    He should treat her like royalty, although nobody clarified which monarchy or whether the peasants remain responsible for utilities.

    The host listened with the grave concentration of a central banker.

    He did not laugh.

    He did not overturn the table.

    He did not ask whether everyone in the room had suffered a recent head injury.

    Instead, he asked one of the women a question.

    “What value do you bring?”

    Not Who are you?

    Not What do you love?

    Not What have you survived?

    Not What makes you laugh when nobody important is watching?

    Value.

    Please describe your assets.

    Disclose any liabilities.

    Previous owners may appear in the comments.

    She explained that she was beautiful. She might work if she felt like working, but her high-value man would generally take care of everything.

    Fair enough.

    Employment, in this arrangement, is regarded much like watercolor painting or dressage: an enriching personal pursuit that should never interfere with being completely maintained by somebody else.

    When asked what she brought to the relationship, she essentially gestured toward herself.

    The market applauded.

    The men, meanwhile, admitted that they did not particularly care whether a woman possessed money, professional competence, ambition, or a functioning relationship with reality.

    They had apparently spent years becoming high value so they could acquire the human equivalent of expensive patio furniture.

    And everyone called this “standards.”

    Nobody called it what it was: two forms of emptiness agreeing on a payment schedule.

    The term high value is ingenious because it makes avarice sound like character.

    The high-value man need not be wise, kind, funny, curious, loyal, or capable of sitting beside another human being in pain.

    He must be solvent.

    He is a benefits package with shoulders.

    He is expected to produce income, protection, housing, social status, restaurant reservations, competent plumbing decisions, and the continued absence of financial consequence. He must be dominant but never controlling, vulnerable but never weak, successful but always available, dangerous enough to be exciting but domesticated enough to approve the vacation itinerary.

    He is not a person.

    He is infrastructure.

    The high-value woman, in return, need not be interesting, accomplished, generous, resilient, or particularly awake.

    She must remain visually desirable.

    She is a luxury good capable of explaining why she deserves luxury goods.

    She provides beauty, youth, sexual desirability, social proof, carefully manufactured spontaneity, and—should the spirit move her—the possibility of employment.

    She is not a person.

    She is ornament.

    He is valued for what he can provide.

    She is valued for what she can provoke.

    They call this knowing what they deserve.

    Nobody in the room was discussing love. They were negotiating access.

    It may be a perfectly voluntary arrangement.

    So is leasing a Lexus.

    Just don’t call the dealership a cathedral.

    The men advertise their wealth and then become furious when women arrive with calculators.

    The women advertise their beauty and then become furious when men behave like customers.

    Every participant is offended that the other side believed the advertisement.

    The man says his money is evidence of discipline, intelligence, masculinity, and personal worth. The woman says her beauty is evidence that she deserves access to it.

    He wants to be loved for himself while leading with his bank account.

    She wants to be loved for herself while describing herself as a visual experience.

    He resents being treated like an ATM.

    She resents being treated like a body.

    Neither seems willing to remove the merchandise from the window.

    This is what passes for empowerment now: selecting the terms of your own objectification.

    We have taken the oldest transaction in human history, put it beneath flattering studio lights, added wireless microphones, and renamed it personal development.

    The participants no longer use crude language because crude language might reveal the crudeness of the arrangement. They speak instead of “mindset,” “masculine energy,” “feminine energy,” “abundance,” “submission,” “provision,” “access,” “standards,” and “the lifestyle I deserve.”

    It is procurement wearing spiritual cologne.

    The podcast host serves as auctioneer, therapist, economist, and parish priest. He solemnly asks everyone to explain their market position, then nods as though Aristotle has returned from the grave to rank women by follower count.

    Nobody asks the impolite questions.

    Can you apologize without explaining why you were technically right?

    Can you remain when somebody gets sick?

    Can you make a hospital room less frightening?

    Can you be trusted with an unflattering truth?

    Can you survive an ordinary Tuesday without needing strangers to envy you?

    Can you sit quietly beside someone whose grief cannot be fixed?

    Can you love a body after illness, childbirth, surgery, age, medication, gravity, and time have revised the original agreement?

    Can you lose your job without losing your identity?

    Can you be poor together for six months?

    Can you be afraid without becoming cruel?

    Can you carry another person for a while without keeping an invoice?

    No?

    But you’re six-foot-two and she has exceptional bone structure?

    Congratulations.

    The market has cleared.

    This entire high-value framework depends upon a terror of ordinary humanity.

    An actual person is a dangerous investment. An actual person gets older, gains weight, loses money, develops scars, changes direction, becomes depressed, says the wrong thing, needs help, disappoints you, surprises you, and occasionally stands in the kitchen at 2:00 in the morning eating shredded cheese directly from the bag.

    An actual person cannot maintain brand consistency.

    Better to purchase a category.

    A provider.

    A trophy.

    A protector.

    A princess.

    A six.

    A ten.

    A millionaire.

    A model.

    A symbol that can be displayed to other frightened people as evidence that you have won.

    Because this is not ultimately about finding love.

    It is about being seen receiving something other people want.

    The man acquires the beautiful woman so other men will understand his rank.

    The woman acquires the wealthy man so other women will understand hers.

    They stand beside each other like trophies that have agreed to dust one another.

    Perhaps they are happy.

    People have built successful lives upon stranger arrangements.

    But happiness seems almost beside the point. The relationship’s primary function is not to nourish the people inside it. Its function is to communicate value to the people outside it.

    Even intimacy has become a press release.

    And beneath all this talk of value is the quiet implication that most human beings do not have very much.

    The schoolteacher is low value.

    The mechanic is low value.

    The single mother is low value.

    The five-foot-eight man caring for his dying father is low value.

    The woman whose body has carried three children and twenty years is low value.

    The warehouse worker reading Dostoevsky on his lunch break is low value.

    The recovering addict who has remained sober long enough to become trustworthy again is low value.

    The man on the mower thinking about God is low value.

    None of them has been sufficiently optimized.

    None photographs particularly well beside a rented Lamborghini.

    I would rather spend an afternoon with any one of them.

    I would rather talk about mortality with a man shining a shoe than listen to another professionally groomed mannequin describe the minimum income required to experience her personality.

    I want to hear what the mechanic thinks happens when we die.

    I want to know what the schoolteacher has learned from children.

    I want to know why the man cutting the grass still believes in God—or why he stopped.

    I want to know which song the exhausted nurse plays on the drive home.

    I want to know what kept the addict alive on the night he nearly wasn’t.

    These people may not be high value.

    They are merely valuable.

    Which is to say they possess interior lives that cannot be itemized, ranked, filtered, monetized, or entered into a dating application without destroying the very thing that makes them worth knowing.

    A human being is not valuable because the market selects them.

    A human being is valuable because there are things inside them no market could possibly measure.

    Humor.

    Mercy.

    Curiosity.

    Endurance.

    Loyalty.

    Contradiction.

    The courage to remain.

    The willingness to forgive.

    The ability to sit beside another person in the dark without immediately turning on a ring light.

    The supposedly high-value people have built an entire philosophy of human worth from which nearly every valuable human quality has been removed.

    And that may be the greatest achievement of the modern marketplace.

    It has finally taught us how to know the price of everyone—

    and the value of no one.

     

  • The Man Who Said it.

    What is your favorite quote?

    My favorite quote has never been one from a famous author.

    It came from my father:

    “Sometimes you have to care enough to know not to care too much.”

    I’ve found myself repeating it throughout my life.

    As I’ve gotten older, I’ve realized it wasn’t about caring less. It was about caring deeply—without letting the outcome consume you. Whether it’s sports, music, work, or life itself, the moment you become too attached to winning, proving yourself, or getting it perfect, you often lose the very thing that got you there.

    The older I get, the wiser his words become.

    I’m grateful they were his.

  • The Cruelty of the Two-Minute Video

    The Cruelty of the Two-Minute Video

    There was a time when asking someone for two uninterrupted minutes of attention was a modest request. Today, it borders on hostage-taking.

    The evidence is not merely anecdotal. Human attention has not wandered off for a cigarette and promised to return. It has collapsed in broad daylight while we all watched.

    The average person now grants a piece of content roughly 8 seconds before rendering judgment. Teenagers switch between applications every 44 seconds. Less than half of viewers survive the first minute of a video, regardless of its length. Only a small fraction remain standing by the final ten seconds. The first thirty seconds are not an introduction anymore; they are a battlefield littered with casualties.

    Yet every week, somewhere in a conference room with poor coffee and an abundance of PowerPoint slides, someone proposes a two-minute B2B video.

    This is usually justified by invoking seriousness.

    “It’s business-to-business.”

    “It needs more detail.”

    “We have a lot to say.”

    No, it doesn’t.

    What it has is a lot of things that nobody was willing to cut.

    The notion that professionals suddenly transform into patient scholars when seated at a laptop on a Tuesday afternoon is one of the more charming delusions of modern marketing. The procurement manager watching your video is the same human being who spent the weekend scrolling through TikTok at six-second intervals. The brain does not enter a special “corporate patience mode” simply because the viewer’s badge works at an enterprise software company.

    The numbers are merciless. Viewers decide within seconds whether something deserves their attention. Slow openings lose a majority of the audience almost immediately. Average retention rates across video platforms are, frankly, horrific. Long-form consumption continues its slow decline while multitasking rises and content exposure explodes.

    In other words, the audience has spoken. Repeatedly. Loudly.

    What remains fascinating is the industry’s refusal to listen.

    There is, of course, one notable exception. People will watch long-form content from creators they trust. Devoted audiences routinely spend hours with their favorite podcasters, commentators, and personalities.

    The operative word is earned.

    A beloved creator can ask for two hours because they have spent years earning that privilege. A corporate brand unveiling its latest fleet management solution has not.

    Confusing the two is like mistaking a first date for a golden anniversary.

    The deeper issue, however, is not effectiveness. It is respect.

    Every unnecessary second in a video represents a small act of arrogance. It assumes the audience’s time is less valuable than the creator’s desire to explain. It suggests a lack of confidence in the message itself. The longer the video becomes, the more it begins to feel like a negotiation with uncertainty.

    Brevity is not the enemy of intelligence.

    Brevity is evidence of it.

    A concise video communicates something powerful: we know what matters, we know what doesn’t, and we trust you to understand the difference.

    Nobody remembers the two-minute explainer.

    They remember the thirty-second piece that made them feel something, understand something, or see something differently.

    The purpose of communication is not to exhaust a subject. It is to illuminate it.

    Everything after that is often just vanity wearing a lanyard.

  • Stuck In The Elevator

    Don’t Panic

    Real is rare
    rarely there
    in the polluted saluted
    sleep-tight sludge-fucker world

    smile-fuckery handshakers
    marionettes needled to their knuckles

    prefabricated friction
    created to fake out frauds
    lost in the empty lie-down crowd

    where is God?
    stuck in the elevator of his own creation

    take the ventilator out
    breathe your own fire

    into the chaos

  • Tailored by Damage

    What’s the oldest things you’re wearing today?

    We earn what’s worn.

    What’s the oldest thing I’m wearing today?

    Not the boots.
    Not the jacket.
    Not the watch pretending time means anything.

    It’s the uneasy stomach.
    The golf ball lodged in the throat.
    The cracked heart stitched together with bad sleep, caffeine and whatever people call “moving on.”

    Those are old.
    Ancient, really.

    Hand-tailored over years by loss, disappointment, memory, guilt, love and the quiet observations you never talk about out loud because everyone else is busy performing wellness like it’s an Olympic sport.

    I wear old conversations that never ended properly.
    Old funerals.
    Old versions of myself I buried but still hear scratching around under the floorboards at 2 a.m.

    None of it was designed by me.

    It was made for me.

    By every slammed door.
    Every hospital hallway.
    Every “I’m fine” that wasn’t.
    Every moment you realized the world keeps spinning with horrifying confidence no matter what it takes from you.

    That’s the oldest thing I’m wearing today.

    And somehow, against all logic, it still fits.

  • The Inheritance



    We were given names for things
    long before we knew how to question them.

    [PAGE 1]

    They handed it to us early.
    Before we had the language to question it.

    A name.
    A color.
    A place to stand.

    Not chosen.
    Just… assigned.


    [PAGE 3]

    You grow into it.

    Like a scar—
    tight at first,
    then normal,
    then invisible.

    Until someone presses on it.


    [PAGE 7]

    It’s strange, the way we inherit distance.

    Same coffee.
    Same tired eyes.
    Same quiet fear about time slipping.

    Still—
    not the same.

    So you start looking for proof.


    [PAGE 11]

    Skin becomes signal.
    Language becomes warning.
    God becomes territory.

    No one says it outright.

    They don’t have to.


    [PAGE 18]

    The program was never loud.

    It lives in the small things—
    the glance,
    the pause,
    the almost-word.

    Passed down like something sacred
    no one remembers buying.


    [PAGE 26]

    Religion—
    the version we were handed—

    Feels less like a door
    and more like a fence.

    Different names for the same sky.
    Different rules for the same dust.


    [PAGE 31]

    Every now and then
    it slips.

    A conversation that works when it shouldn’t.
    A laugh that ignores the lines.

    For a second—
    none of it exists.


    [PAGE 32]

    But it comes back.

    Because seeing it
    doesn’t mean you’re free of it.

    It waits
    in your first reaction.

    Proof it was built deep.

  • FRAGMENTS FROM A MAN WHO WALKED BACK

    What book could you read over and over again?

    Some pages missing
    “If that’s what crazy is than I’m as far gone down the road wacko as it gets”

    Thought I was him once.

    Randle P. McMurphy
    laughing too loud
    pushing too hard
    mistaking noise for control.

    —

    Turns out—

    you can rattle a cage so long
    you forget
    you’re still inside it.

    —

    Did my time near the edge.

    Not a metaphor.

    Real enough
    that I still catch myself scanning rooms
    for exits
    I don’t need anymore.

    —

    There’s a taste to it.

    Not freedom.
    Not power.

    Something… cheaper.

    Easy to confuse the two
    when you’re young
    or angry
    or both.

    —

    Watched a few go over.

    Didn’t come back.

    Still walking.
    Still talking.

    Nothing behind the eyes
    but compliance dressed up as calm.

    —

    One of them smiled at me once—
    like he recognized something.

    I still don’t know
    which side of the glass he thought I was on.

    —

    I came back.

    Not proud of it.
    Not ashamed either.

    Just… done.

    —

    People call it discipline.

    Feels more like
    recognition.

    You see the line once
    you don’t need to test it every day.

    —

    I can still go there.

    That’s not gone.

    Just… unnecessary.

    —

    There’s a version of me
    that solves problems fast.

    Doesn’t ask.
    Doesn’t wait.

    Useful in the wrong world.

    Dangerous in the right one.

    —

    So I keep him close.

    Not buried.

    Not unleashed.

    On a leash
    I hold.

    Most days.

    —

    Walk among the civil now.

    Nod.
    Build.
    Keep things moving.

    They think it’s reform.

    It’s not.

    It’s selection.

    —

    Sometimes I miss it—
    not the damage,
    just the clarity.

    —

    Some people never leave the path.

    Some never see it.

    Some of us—

    stepped off
    went too far
    came back
    different.

    —

    You don’t preach after that.

    You don’t wake people up.

    You just…
    stop sleeping.

    —

    One Flew Over the Cuckoo’s Nest got one thing right—

    the loud ones don’t always win.

    Sometimes they just
    fade out slower.

    —

    I learned where that road ends.

    Didn’t like the ending.

    Left early.

    Or maybe I was let out.

    —

    If it all tilts—
    if the structure forgets what it’s holding—

    I won’t freeze.

    I won’t ask.

    I won’t wonder.

    —

    Not because I’m reckless.

    Because I remember
    how quiet it gets
    right before something breaks.

    —

    Most days—

    quiet.

    Measured.

    Forgettable, even.

    —

    That’s fine.

    —

    But not harmless.

    Never that.

    —

    (last line scratched out, still legible)
    I could still enjoy it, if I let myself.

  • I Almost Tattooed Rage on My Face

    I Almost Tattooed Rage on My Face

    What tattoo do you want and where would you put it?

    I Almost Tattooed Rage on My Face

    (For Jack & James)

    I almost did it.

    Sat there long enough to picture it—

    ink crawling out from the corners of my eyes

    like something that refused to stay buried.

    Not decorative.

    Not symbolic.

    A warning.

    The kind of thing that says,

    don’t get too close unless you mean it.

    I told myself it would be honest.

    That it would save time.

    No small talk.

    No pretending.

    You’d see me—

    or at least the version of me

    I thought was still in charge.

    The one who keeps score.

    The one who remembers everything.

    The one who could burn it all down

    and call it justice.

    I thought about wearing it

    where no one could ignore it.

    Right there.

    Across the face.

    So I wouldn’t have to explain

    why my voice goes quiet

    when people say things like

    “everything happens for a reason.”

    So I wouldn’t have to pretend

    I don’t still feel it—

    that split-second flash

    where the world narrows

    and something ancient in me

    steps forward.

    I almost gave that version of me a name.

    A uniform.

    A permanent place to live.

    But then I realized something—

    I’ve already worn it.

    Not in ink.

    In glances.

    In silence.

    In the way I left rooms

    without saying goodbye.

    In the way I held onto anger

    like it was the last thing

    I had left of him.

    As if letting go of it

    would mean letting go of him.

    And that’s the lie, isn’t it?

    That rage is proof of love.

    That if I soften,

    I’ve forgotten.

    But he didn’t live like that.

    Not really.

    He fought, sure.

    He burned bright.

    But he laughed too easy

    for someone who was supposed to carry what I carry now.

    He didn’t stay in the worst moment.

    So why would I?

    I sat there thinking about that—

    about putting something permanent on my face

    to mark something

    that was never meant to be permanent.

    And for the first time,

    it felt… unnecessary.

    Like writing a headline

    for a story I’ve already outgrown.

    I don’t need to wear rage anymore

    to remember him.

    I don’t need to prove

    how far I could go

    if I stopped caring.

    Because I do care.

    That’s the whole thing.

    That’s the part I was trying to hide

    behind something sharp.

    So no—

    I didn’t get the tattoo.

    Not on my face.

    Not anywhere you can see.

    But something is there.

    Something quieter.

    Not a warning—

    a presence.

    Not stay back

    but walk with me.

    And if you look close enough—

    not at my skin,

    but at the way I move through the world now—

    you might see it.

    Not the rage.

    But what’s left

    after I finally stopped needing it

    to speak for me.