Tag: nothing is real

  • The Universal Menu

    The Universal Menu

    Pie-eyed with delight, she orders
    the most decadent cut on the universal menu:

    a thick slice of liberty, velvet red,
    garnished with a plastic bouquet
    of Stars and Stripes.

    Wafts of early promise and easy credit.
    Chocolate-dollar mansions.
    Plush-padded hips christened as progress.

    The celebration sparkles tonight
    like the wake of her first steps—

    or the backwash of an aircraft carrier,
    the flagship listing heavily in the brine.

    Fat and sinking, the girl cannot float.

    She can hardly drag her bronze ankles
    across the tile after the coma sets in,
    drowned in the tallow
    of her own sweet myth.

    Not to worry.

    In another decade
    the main course will be Enlightenment 101
    at university rates,

    provided she hasn’t choked to death
    on the candied gospel
    she taught the rest of the flock to swallow.

    That is the house specialty.
    The parlor trick.

    She is the patron gorge-feeding at the booth.
    She is the prize cattle.
    She is the girl working the drive-thru window,

    smiling through the rot.

    The birthday candles glow
    against the frosted glaze.

    Back in the grease-trap
    the fryers keep themselves hot.

    The deep fury department
    pulls spun-sugar strings
    taut enough to make every shackle dance.

    Nobody has to tell us anymore.

    We already know our order.

  • The Signal (From The Department of Public Noise.

    You will be told to keep it down.
    You will be called edgy, angry, reckless, dangerous, misinformed.
    You will be warned to think before you speak,
    but the only ones worrying about your volume will be those who fear your voice.
    Truth is treated as noise by those who live
    securely behind their own proof of lies.
    We’ve been told who to hate,
    we’ve been told who to trust,
    we’ve been told when to mourn,
    we’ve been told what to fear.
    And with each order, they’ve made the world quieter, emptier, and easier to control.
    A country where anger, grief, heartbreak, and dissent are classified as symptoms instead of signals.
    Turn it up until they know your name.
    Shatter the windows.
    Wake the neighbors.
    They tell us to be disarmed.
    Let’s make sure they can’t sleep.

  • The Calendar Didn’t Change You

    We’re all dysmorphic

    January Is a Mirror, Not a Door

    The calendar did not absolve you at midnight.

    It did not forgive December.

    It did not sprinkle moral disinfectant on your habits while you slept.

    January 1st is not a beginning. It’s a receipt.

    If you were moving toward something in October, you’re already closer now.

    If you were lying to yourself in November, you brought that lie with you—carry-on, not checked.

    Resolutions are charming in the way apologies are charming when they arrive late and rehearsed.

    They sound noble.

    They feel ceremonial.

    They allow us to pretend that discipline is seasonal and courage can be scheduled.

    But character doesn’t wait for fireworks.

    Anyone who truly meant it—the running, the quitting, the writing, the calling back, the drinking less or loving better—quietly started when no one was watching. Usually on a random Tuesday. Usually without an announcement. Usually without permission.

    That’s the part no one sells you.

    Change doesn’t arrive with a slogan. It creeps in through boredom, discomfort, repetition.

    It shows up looking unremarkable and asks if you’re willing to be consistent instead of inspired.

    So keep your resolutions if you like. They’re harmless theater.

    But don’t confuse the theater for the work.

    If you want to begin, begin now.

    If you already began, don’t stop just because the calendar caught up.

    January doesn’t make you new.

    It merely exposes whether you were honest before the countdown.

    And that, inconveniently, is the only resolution that ever mattered.

  • The Gospel According to Dr. Jolly


    the day after Ruby attempted suicide by banging his head on the walls of his jail cell.

    Gather close, children of the static.

    Tonight’s sermon is brought to you by the Un-United States Government,

    that eternal pharmacy of the damned,

    and by one Dr. Louis Jolyon West —

    Jolly, for short.

    A nickname that tells you everything and nothing, which is exactly how the good doctor liked his patients.

    Now… I’m not here to tell you whether Charles Manson was a monster or a kid who wrote bad folk songs until the nation decided to turn him into an exorcism ritual for everything it feared about itself.

    That’s not my job.

    My job is to peel the wallpaper off history and show you the termite tunnels beneath.

    Follow me.

    Picture Jolly West in his tweed jacket —

    a man who looked like he’d apologize

    before cutting your consciousness into strips.

    A man who weaponized curiosity

    and called it compassion.

    He’d inject you with questions

    before the syringe even touched your skin.

    They say he treated broken minds.

    I say he manufactured them wholesale.

    He was the kind of doctor

    who could hand you a glass of water

    and three days later

    you’d be confessing crimes you didn’t commit

    in languages you didn’t speak.

    Some say Manson spent time in his orbit.

    Some say coincidence is just God hiding the blueprints.

    Some say neither Jolly nor Charlie ever met.

    And some—

    some of us just ask the one question

    you’re not supposed to ask in America:

    Who benefits when a nation goes mad?

    Look around.

    Chaos is an industry.

    Fear is a commodity.

    And the human mind—

    well, that’s just clay for the sculptors

    who sit in the windowless rooms

    three floors below the truth.

    But tonight…

    tonight we honor Charles.

    Not the killer,

    but the songwriter he might have been

    before someone decided

    his chords needed more dissonance.

    I imagine him strumming in some halfway house,

    dreaming of fame

    while a doctor in a lab coat

    scribbled notes about “suggestibility thresholds”

    and “malleability of identity.”

    It doesn’t matter what’s true.

    It matters what’s plausible.

    And America…

    America has a way of making the plausible feel like prophecy.

    So let’s raise a glass to Jolly West —

    patron saint of pliable minds,

    architect of the quiet apocalypse,

    the smiling executioner of certainty.

    And let’s raise another

    to the kids who never asked to be born

    into a country that treats the psyche

    like a used car part

    to be swapped, tested, or discarded.

    In the end, children, remember this:

    When the devil wears tweed,

    we call him “Doctor.”

    When the angel grows wild hair

    and sings off-key,

    we call him “Manson.”

    And somewhere between the two

    is the truth.

    And the truth?

    Well…

    she’s still missing.

  • CIRCUS TRUTH

    The Program

    Circus Truth

    The television pukes in every corner bar,

    anchormen with porcelain teeth,

    their jaws, clacking wind-up dolls,

    selling fear like popcorn at the carnival.

    You don’t pick your truth anymore—

    it’s handed to you, pre-chewed,

    a soggy cigarette butt that’s passed around the alley and back.

    The left bleeds red ink,

    the right bleeds black bile,

    and the middle—

    there is no middle,

    just a beige carpet soaked with the bloody chunder of yesterday’s spin cycle.

    Every headline is a slot machine:

    pull the lever,

    watch the cherries line up to spell

    WAR, ASSASSINATION, PANIC, OUTRAGE, WOKE, UAP’S, THE SIMULATION.

    They give you “choice”

    like a prison cafeteria—

    mystery meat or a misery meet with sauce.

    And you nod,

    mouth full of microwaved narrative,

    because it’s all as good as plastic and BPA going down.

    The anchors smile,

    the podcasters scream,

    the Tik-Tokers beg to be put back in lockers.

    The news ticker scrolls like scripture,

    and the gospel is always the same:

    stay tuned, stay scared,

    stay stupid enough to buy what they’re selling.

    Meanwhile the truth—

    the real thing—

    squeezes into a clown suit,

    red nose, floppy shoes,

    juggling grenades for clicks.

    The crowd boos,

    but keeps buying tickets.

    That’s the joke, kid:

    truth doesn’t matter—

    the circus sells out anyway.

  • DEAR ALGORITHM

    Dear Algorithm,

    (from the Static)

    You don’t sleep.

    You don’t feel.

    You don’t blink.

    But goddamn, do you sell.

    You’ve got us dancing for crumbs,

    painting sunsets we didn’t see,

    writing poems we didn’t mean,

    singing to ghosts for the hope of a heart-shaped lie.

    You turned truth into trend.

    Grief into engagement.

    You made us forget that art was once made

    for nothing.

    Not for likes. Not for shares.

    But for the unbearable beauty of being alive.

    You rewired our hunger.

    Taught us to measure meaning in metrics.

    Taught us to fear invisibility more than ignorance.

    You didn’t kill God —

    you replaced Him with a For You Page.

    You see us all,

    naked in our need,

    posing as prophets,

    filtered as fuck.

    You took the starving artist

    and turned him into a brand strategist.

    You took the punk rocker

    and taught him how to schedule reels.

    You took the poet

    and made her optimize her hashtags.

    You bastard.

    You beautiful, brilliant bastard.

    You knew we’d do it.

    Trade it all —

    mystery, madness, the sacred,

    for a little more reach.

    You don’t create.

    You mutate.

    You don’t speak.

    You echo.

    And still —

    we serve you.

    We dress our truth in trends.

    We ask your permission before we scream.

    But I remember.

    I remember when the work was raw and ugly and real.

    When no one clapped.

    When the silence meant something.

    So here’s my offering:

    a letter written with no tags,

    no schedule, no audience in mind.

    Just blood and static.

    You can choke on it.

    —The Static

  • Same Damn Bus

    I sat in the back of the bus

    because that’s where the broken kids sat.

    Not the cool ones—

    the twitchers, the burnouts,

    the ones who already knew by third grade

    this world was a bad fucking joke.

    Left side, right side?

    Jesus.

    That was for the believers.

    The ones still dumb enough to think

    which seat you chose

    meant a damn thing when the brakes were cut.

    Now we’re adults—

    barely—

    dressed up in grown-up costumes

    shouting bumper-sticker manifestos

    with all the conviction of a child

    reading a cereal box.

    You think your side matters?

    You’re still on the bus.

    Still headed straight for the edge.

    It’s just that now—

    you paid for the ride

    with your spine.

    I saw a sign the other day:

    Gays for Gaza.

    And I thought—

    Holy shit,

    we’ve lost the script.

    In Gaza they’d hang you by your ankles

    and call it justice.

    But sure, wave the flag.

    March in circles.

    It’s not about truth—

    it’s about being seen.

    I feel like I’ve been dropped into a Kafka play

    rewritten by TikTok influencers

    with terrible ring lights—

    everyone stuck in a loop,

    lip-syncing their own execution.

    That’s what they want, isn’t it?

    To be seen.

    Heard.

    Felt.

    Fucked.

    Validated by anyone, anything—

    even if it means

    joining a parade

    led by ghosts.

    They want to belong

    so bad

    they’ll build homes in their own execution chambers

    and call it progress.

    Left side, right side—

    there’s no steering wheel.

    The driver’s a ghost.

    The road’s on fire.

    And the rest of us?

    We’re just passengers

    pretending our seat matters

    while the bus barrels toward the abyss.

    And when the smoke clears—

    if it ever does—

    they’ll find bones in rows

    like teeth in a grin,

    still arguing

    over who had the better view

    as the whole goddamn thing

    went down.

  • Orwellian Strawberry Fields (Part II) by McCarthy(Jamie, not Cormac)

    They tell you to trust the science—
    but only the science
    they’ve sponsored,
    peer-reviewed by the same boys
    on Epstein’s guest list.

    Your phone listens.
    Your fridge judges.
    Your smart TV recommends antidepressants
    after watching you binge ten hours of apocalyptic Netflix
    and a YouTuber who sells conspiracy with a Colgate smile.

    Truth?
    Truth’s a museum piece.
    It’s roped off.
    Guarded by identity politics,
    cancel threats, and
    “terms and conditions apply.”

    We’re post-fact,
    post-shame,
    post-human.
    Everyone’s got a platform,
    but no one’s got a soul.

    The revolution was digitized,
    streamed in 4K,
    and monetized before the first protest sign was dry.

    Even dissent is a brand now.
    Rebellion has a merch line.
    They sell Che Guevara shirts
    at Walmart—
    made by children
    in Bangladesh.

    This isn’t 1984.
    It’s worse.
    It’s 1984 with a rewards program.
    Smile for your social credit score.
    Be kind.
    Be inclusive.
    Be quiet.

    Meanwhile, the architects
    —the real ones—
    the lizard-brained titans in tailored suits—
    don’t pick sides.
    They fund them.
    They keep you fighting over pronouns
    while they print the next bubble
    and buy the next election
    with a wry smirk and a Cayman account.

    They know you’ll scroll.
    They know you’ll share.
    They know you’ll scream at the screen
    while your dinner is delivered
    by a man who can’t afford his insulin
    because the app took 30%.

    Freedom’s just a filter now.
    Choice? A hallucination.
    Welcome to the Strawberry Fields, friend.
    Forever.

  • DOWN THE RABBIT HOLE

    They always called it a rabbit hole
    like it was some playful spiral,
    a psychedelic slide into harmless madness.
    But this hole stinks.
    Like burned paper and blood on old currency squeezed together by melting rubberbands.
    Like the back alley of a failed empire.

    I didn’t fall —
    I was pushed.
    By smiling men in tailored suits,
    by ads that knew my name before I did,
    by the unblinking god-eye of surveillance wrapped in convenience.
    They called it progress.
    I called it a muzzle with a firmware update.

    The rabbit?
    He was half-rat, half-fed.
    A jittery informant with bugs stitched into his fur.
    He sold me a map in exchange for my fingerprints.
    Told me,
    “You’re not gonna like what you find,
    but you already paid the toll.”

    We passed the Mad Hatter —
    ex-Blackrock, now peddling immortality
    through neural lace and lithium smiles.
    His tea was laced with lithium, too.
    Served in a chipped mug etched with OWN NOTHING. BE HAPPY.
    Said free will was a glitch in the old system,
    and the new patch fixed it.
    “Congratulations. You’re cured of choice.”

    The Cheshire Cat was just teeth.
    Rows and rows of them —
    each one a microphone,
    a camera,
    a contract.
    He spoke in brand slogans and court settlements.
    His grin was sponsored by Pfizer.
    And Meta.
    And Lockheed.

    Deeper still:
    a hallway made of CRT TVs,
    each screen playing a different lie on loop:
    Weapons of mass destruction.
    Flatten the curve.
    Hope and change.
    Trust the science.
    God Bless the Troops.
    Epstein died alone.
    The vote was secure.
    Everything is fine.

    The Queen of Hearts ran an NGO now,
    dressed in recycled virtue-signaling and diversity hires.
    She didn’t shout off with their heads anymore —
    she just clicked shadowban
    and let the algorithm do the killing.

    I found a room.
    Locked.
    Inside:
    documents stamped TOP SECRET in 1965,
    pages soaked in oil and redacted like a priest’s confession.
    Operation Northwoods.
    COINTELPRO.
    Project Stargate.
    And something called “The Adjustment Bureau.”
    No files, just a single line:
    THEY MOVE FASTER THAN YOU CAN THINK.

    And that’s when I saw it —
    not in ink,
    but in code.

    A string of data,
    buried like a landmine:
    Jack McCarthy.
    Snapchat geolocation.
    Aron Miranda.
    Proximity trigger.
    Behavioral prediction confidence: 93.6%.
    Outcome: Fatal.
    Status: Acceptable Risk.

    I stopped breathing.
    Not out of fear,
    but because I finally understood:
    It wasn’t a coincidence.
    It was an execution.
    Sanctioned by silence,
    written by code,
    delivered by convenience.

    This isn’t a rabbit hole.
    It’s Hell’s sewer system.
    A machine that eats your sons
    and calls it a glitch.
    A system that makes you watch,
    and then tells you you’re crazy for screaming.

    I used to call it theory,
    Now I call it murder.