Tag: the writer

  • THE HOUSE I GREW UP IN

    THE HOUSE I GREW UP IN

    Series: Filter Failure: Beneath the Noise

    (the crest) (dad at sea)

    Short Announcment: You never really leave the house you grew up in. It leaves pieces of itself in you.

    In the house I grew up in I found the McCarthy crest yesterday — buried in a box by the stairs, right where the house keeps its secrets.

    Same one I’ve got inked over my heart — Jackiemac4ever.

    A promise that never healed right.

    Funny thing about symbols: they start as pride and end as proof.

    Proof that somebody once stood here and mattered.

    Proof that love still bleeds through the cracks of time.

    Next to it was my father, trapped in a photograph — late thirties, early forties, somewhere between wisdom and warning.

    He’s standing on a sailboat, face tilted toward the wind, a man still convinced there’s more horizon left than storm.

    I was twenty-three when I lost him.

    Jack was nineteen when I lost him, too.

    Two men — the bookends of my life — both gone before I figured out what any of it meant.

    Mom sat in her chair, smaller now, soft around the edges, like the world’s been quietly erasing her outline.

    We talked about moving her out of the old house.

    Said it like logistics, but it felt like betrayal.

    Every wall in that place still hums with our laughter, our fights, our noise.

    Every step sounds like an echo of who we were trying to be.

    The air was thick with dust and ghosts.

    Not the kind that scare you — the kind that wait for you to understand.

    Every photo frame, a silent sermon.

    Every object, an altar.

    When I left, I didn’t cry. Or maybe I have selective retention.

    I Didn’t say goodbye.

    Just stood in the driveway, hollowed out and human — the last McCarthy man in a story written in vanishing ink.

    But I don’t call it grief anymore.

    Grief sits still.

    This — this is participation.

    A ritual of remembering.

    A man standing in the ashes of what built him,

    saying softly to the wind,

    I’m still here.

  • Same Damn Bus

    I sat in the back of the bus

    because that’s where the broken kids sat.

    Not the cool ones—

    the twitchers, the burnouts,

    the ones who already knew by third grade

    this world was a bad fucking joke.

    Left side, right side?

    Jesus.

    That was for the believers.

    The ones still dumb enough to think

    which seat you chose

    meant a damn thing when the brakes were cut.

    Now we’re adults—

    barely—

    dressed up in grown-up costumes

    shouting bumper-sticker manifestos

    with all the conviction of a child

    reading a cereal box.

    You think your side matters?

    You’re still on the bus.

    Still headed straight for the edge.

    It’s just that now—

    you paid for the ride

    with your spine.

    I saw a sign the other day:

    Gays for Gaza.

    And I thought—

    Holy shit,

    we’ve lost the script.

    In Gaza they’d hang you by your ankles

    and call it justice.

    But sure, wave the flag.

    March in circles.

    It’s not about truth—

    it’s about being seen.

    I feel like I’ve been dropped into a Kafka play

    rewritten by TikTok influencers

    with terrible ring lights—

    everyone stuck in a loop,

    lip-syncing their own execution.

    That’s what they want, isn’t it?

    To be seen.

    Heard.

    Felt.

    Fucked.

    Validated by anyone, anything—

    even if it means

    joining a parade

    led by ghosts.

    They want to belong

    so bad

    they’ll build homes in their own execution chambers

    and call it progress.

    Left side, right side—

    there’s no steering wheel.

    The driver’s a ghost.

    The road’s on fire.

    And the rest of us?

    We’re just passengers

    pretending our seat matters

    while the bus barrels toward the abyss.

    And when the smoke clears—

    if it ever does—

    they’ll find bones in rows

    like teeth in a grin,

    still arguing

    over who had the better view

    as the whole goddamn thing

    went down.

  • The Shalt Nots

    I went digging for goddamns and found nothing but God’s dam—backing up hypocrisy like a sewer on the verge of bursting. Thought maybe I’d reel in the meaning of that little fish glued to the backs of tan sedans crawling toward mediocrity but turns out it’s just another barnacle clinging to the herd, a bumper sticker with a punchline no one gets. Worse, it’s an acronym—because nothing screams divine wisdom like a secret handshake for suburbanites.

     

    The “shalt nots” were scribbled in dirt while God was out fishing—dreamed up by crackpots, half-cocked in hypocrisy. “In God we trust.” Sounds less like faith, more like a slogan on a war bonds poster peeling off a gas station wall. Maybe God was pickled, tripped over his Birkenstocks into some desert bog, pulled his head out of the sand just long enough to count his fingers and think, “Ten. Yes, ten’s a good number. That’ll keep the peasants from eating each other.”

     

    And so, we got “thou shalt not take the Lord’s name in vain”—but no asterisk for exceptions. Like, say, strapping a bomb to your chest and screaming God’s name on the way out for an express ticket to 72 virgins who, funny enough, spent eternity dodging exactly this scenario.

     

    But before your fingers can strum a harp in the happy hunting grounds of the untouched, you’ve gotta learn to count—because obedience starts young. One… two… three… TIME OUT. Fear gets baked into you before you can spell your own damn name. But the holy scribes forgot their ABCs when it came to abortion.

     

    A: If you climbed in through the side window, anonymity won’t save you.

    B: Blood on your hands—stillborn or in plain sight, doesn’t matter.

    C: And then, there’s the C. section.

     

    No questions. Just follow the script. The big one? Thou shalt not kill—unless the bastard prays to the wrong God. Then, rape, burn, behead, and while you’re at it, rape again. All glory to one.

     

    Cue the laugh track. Not only do these rules own you here, but once you clock out, guess what still applies? Ignore them?

     

    You shalt not.

     

  • Where I Buried the Brine and the Bruises

    Born pickled
    a bundle of brine,
    spit out with the pigs,
    stepped on, tossed aside,
    buried under the muddy rugs—
    the carpet chorus muffled,
    rolled up and stained with the slap of hands,
    wet dirt naming me sinner,
    naming me fool,
    while the silence screamed back.

    Junk on my hands
    but my fists stayed open—
    bound wrists,
    tight-rope veins walking the thin edge of despair,
    slippery slopes greased by whispers,
    shadows hoarding truths
    behind my spine.

    I dreamed of the bottom of the bag—
    hiding in burlap shadows,
    draped over my shoulder,
    the sack of sorrow dragged uphill.
    The sun was a dagger,
    its glare split my skull,
    its fire pushed me to the peak
    where the earth yawned open.

    And I fell.

    Down through the dirt,
    down to the roots
    that never asked forgiveness,
    that held the mud and called it life.

    I planted my name there,
    deep in the soil.
    The weeds forgave me.

    I sprouted new hands,
    climbed the hill backward—
    not to escape
    but to meet the sunrise
    and the bruised boy
    I’d left behind.

    I held his face in my palms.
    I said, “We are here now.”
    And he disappeared
    into the light.