Tag: wounds

  • THE HOUSE I GREW UP IN

    THE HOUSE I GREW UP IN

    Series: Filter Failure: Beneath the Noise

    (the crest) (dad at sea)

    Short Announcment: You never really leave the house you grew up in. It leaves pieces of itself in you.

    In the house I grew up in I found the McCarthy crest yesterday — buried in a box by the stairs, right where the house keeps its secrets.

    Same one I’ve got inked over my heart — Jackiemac4ever.

    A promise that never healed right.

    Funny thing about symbols: they start as pride and end as proof.

    Proof that somebody once stood here and mattered.

    Proof that love still bleeds through the cracks of time.

    Next to it was my father, trapped in a photograph — late thirties, early forties, somewhere between wisdom and warning.

    He’s standing on a sailboat, face tilted toward the wind, a man still convinced there’s more horizon left than storm.

    I was twenty-three when I lost him.

    Jack was nineteen when I lost him, too.

    Two men — the bookends of my life — both gone before I figured out what any of it meant.

    Mom sat in her chair, smaller now, soft around the edges, like the world’s been quietly erasing her outline.

    We talked about moving her out of the old house.

    Said it like logistics, but it felt like betrayal.

    Every wall in that place still hums with our laughter, our fights, our noise.

    Every step sounds like an echo of who we were trying to be.

    The air was thick with dust and ghosts.

    Not the kind that scare you — the kind that wait for you to understand.

    Every photo frame, a silent sermon.

    Every object, an altar.

    When I left, I didn’t cry. Or maybe I have selective retention.

    I Didn’t say goodbye.

    Just stood in the driveway, hollowed out and human — the last McCarthy man in a story written in vanishing ink.

    But I don’t call it grief anymore.

    Grief sits still.

    This — this is participation.

    A ritual of remembering.

    A man standing in the ashes of what built him,

    saying softly to the wind,

    I’m still here.

  • Father of Madness

    “They say time heals all wounds.”

    Who in the fuck are they?

    Some bureaucrats of grief, clocking in, clocking out, wielding the second hand like a scalpel, deciding when the wound has been stitched,

    when the blood should dry,

    when the rage should settle into something softer.

    Time—the prison, the con artist, the liar.

    It doesn’t heal. It magnifies.

    It twists the knife while whispering lullabies.

    It counts the days like a debt collector, reminding me of every second Jack no longer breathes, and every hour the bastard who gave him poison does.

    And still, they tell me time is the answer.

    That I should let it pass, let it work.

    I want to take that very hand of time,

    the well-intended, patronizing hand,

    and smash it for 19 straight minutes

    with a dead blow hammer,

    until the gears stop turning,

    until the numbers scatter like broken teeth,

    until time itself finally understands

    what it means to be overwhelmingly crushed. 

    Miranda, devil in a hoodie, dealer for pocket change was never a scapegoat.

    He was a man who knew exactly what he handed over.

    I wonder if he ever wakes up sweating,

    if he ever feels the shadow behind him,

    if he ever senses the weight of me

    staring at the back of his skull.

    Sixty ways in a minute,

    three hundred sixty in an hour,

    eight thousand six hundred forty in a day—

    I could carve my grief into his flesh.

    I could become time,

    the father of madness,

    breaking him down into seconds,

    watching him beg for a mercy

    that he never gave to Jack.

    But there is no justice.

    Only the slow, excruciating unraveling of the world going around the sun, 

    where killers breathe and sons are buried.

    There is no closure, no grand moment of reckoning.

    There is only the hell of waking up each day,

    wishing for ghosts,

    praying for gruesome vengeance,

    and knowing—the only end is mine.